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By the age of five, I began to realize that I did not fit into the socially constructed Gender Binary. “Gender norms” were always complicated for me. The Gender Binary and its strict gender norms felt beyond constraining and foreign to me.
As I became more aware of how uncomfortable I was, I began to act out against these constraints finding myself in the Principals office at the age of eleven for refusing to make a skirt in Home Economics.
When the principal asked why I would not make a skirt, I replied that I had no use for a skirt and I wanted to go to the Industrial shop. I was told that I was a girl and only boys could go to the Industrial Shop.
My choice was to make a skirt or sit in the principals office. I chose to sit.
This Portrait project is a deeply personal journey for me.
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“I love how gender exists so differently for kids, in that at certain points it doesn’t seem to exist at all. I’ve spent a lot of time working backwards to find that place of carelessness, of feeling unobserved.
I have so many photos that my family loved, and looking at them I can remember just how uncomfortable and overwhelmed I felt in that moment, and how unfamiliar the person in the photo was.
Costume played into things a lot, a huge portion of my photos being myself and my friends decked out in layers of clothes scrounged from our parents, making up stories where we played characters of any gender.”
-Elliot -
Juli Vizza is an Emmy Award winning editor and producer with two decades of experience in both fiction and non-fiction filmmaking. Their films have premiered at Sundance, Berlin, and Tribeca and have aired on PBS, Showtime, and The History Channel, among others.
They recently edited LET THE CANARY SING a biopic on the legend and icon, Cyndi Lauper, which premiered at the 2023 Tribeca Festival. Their previous series, AND SHE COULD BE NEXT, premiered at the 2020 Tribeca Film Festival and aired on POV.
Other recent credits include DREAMS OF DARAA, a feature documentary about a Syrian woman seeking justice for her murdered husband and safety for her three daughters; WORLDS OF URSULA K. LE GUIN a film about the groundbreaking science fiction and fantasy author which won five festival awards and was broadcast on American Masters. Juli also co-produced and edited XMAS WITHOUT CHINA (SXSW, PBS) and produced NINE TO NINETY (HotDocs, PBS, IDA Award Nominee).
Juli was a recipient of the 2021 Sundance Adobe Mentorship Award, and has been a Sundance Producing Fellow, a Film Independent Producers Lab Fellow, and a Fledgling Fund Fellow. They are a member of the Alliance of Documentary Editors.
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Keller’s work has appeared in The New York Times, The Nation, The Brooklyn Rail, Out, Out Traveler, The Provincetown Independent, Provincetown Arts, Parterre Box, and Early Music America.
Raised on Cape Cod, Keller holds a B.A. in music and art history from Harvard, and an M.M. in musicology from the University of Edinburgh. In the fall, they will be starting a Ph.D. in musicology at the CUNY Graduate Center.
Currently Brooklyn-based, Keller writes the substack Poison Put to Sound, and is working on a book about the cello and the trans body. Their proudest achievement, however, is getting a driver’s license at the age of 24.
For more information: (Saskia) Max(well) Keller
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Tan Jazz Mont
“I have been rolling my eyes at the dominant cultural landscape my entire life. I have felt excluded, dismissed, and confused. No more! Today I am proudly Latinx and queer. I don’t owe anyone an explanation of my culture, orientation, or gender, but I do so anyway because today I am prideful. My mere existence is a fuck you to anyone feeling uncomfortable over me or my Latinx and/or LGBTQIA+ community. I identify as he/him, which includes gender fluidity, basically, I fuck with gender, and have been doing so my whole life. And although I fall in love with the person, not the gender, I am mostly attracted to women, and I have caught the perfect one, my muse and beautiful wife, Andrea. Please join me and enjoy my playful imagery, regardless of medium, I actively queer my Americana, which comes in a variety of shades and colors.”
Mont received their MFA from CGU ‘11. Their artworks celebrate the underdog. Mont’s absurdist environments allow for challenging stereotypes and creating counter-histories. Mont is currently a professor at MVC, MSJC, and SBVC. When Tania is not creating, they enjoy spending time with their wife, son, cat, and pig.
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